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The alien tries to piece together her background, creating a thinly veiled metaphor for STEFA*’s own story. While researching the Emberá people online, she encountered a traditional chant that she transcribed and adapted for “Sepalina.” Both the track and the album tell the story of an amnesiac “native alien” who washes up on the shore of an unfamiliar world, stripped of her memories and her language. Queens-born artist Stefa Marín Alarcón wrote “Sepalina” after finding out her grandmother hailed from the Emberá-Chamí tribe, a discovery that changed her life forever. Stream our favorite folk fusion songs on Spotify or Apple Music. Selected by our editorial and freelance staff, these are the top 10 folk fusion songs of 2018.Ĭheck out our round up of best indie pop and R&B, best electronic, and best urbano songs here, and keep an eye out for our favorite songs in punk & garage, coming soon. Our list cuts across region and genre, capturing the sounds we believe are leading the pack in different diasporas. Accordingly, this list features all kinds of folk fusion sounds, from neoflamenco to technomerengue. By experimenting with ancestral sounds, artists like Mala Fama, Hidden Memory, and Chancha Via Circuito are showing that this music has longevity and present-day relevance. While this umbrella term may not encapsulate every one of these styles and sounds, we feel that it epitomizes how, even with the legacies of colonialism and slavery, these traditions still exist and are continually evolving. For this year’s best of 2018 coverage, we’ve elected to create a list of the most impressive folk fusion songs, a category that aims to capture the vast body of work that artists who reimagine traditional genres are creating. Her maiden album ‘Intuition’ is also an ode to contemporary fusion, featuring Latin jazz, Flamenco, waltz, Bluegrass, jazz fusion, and other styles.From raw Afro-Venezuelan percussion to the thundering boom of mariachi trumpets, folkloric and traditional sounds continue to have an impact on music of the Latinx diaspora. She is also trained in Lalgudi Bani, a style popularised by Jayaraman, one that makes a violin ‘sing’. She constantly pushes the possibilities of music and her latest video ‘Fly Me To The Moon x Maand Thillana’ is proof. She blends jazz music seamlessly with Carnatic thillana composed in raga Maand by her guru and veteran violinist Lalgudi Jayaraman. It was during a fellowship programme at Berklee College of Music in 2019 when she got to perform with McLaughlin and tabla maestro Zakir Hussain.Īpoorva is not new to laurels. ‘Bahudari’ made in collaboration with percussionists Vinod Shyam and Sunaad Anoor won her the London Tarisio Trust Young Artist Grant 2017, a first for an Indian. To her delight, McLaughlin appears at the beginning of the video to praise how well she has integrated harmony and sophisticated Indian rhythms. He inspired me to experiment and go beyond my comfort zone by fusing traditional Indian classical music with contemporary Western music,’’ Apoorva talks about the origin of ‘Merging Parallels’.
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"I am grateful to English guitarist John McLaughlin (considered the pioneer of jazz fusion). The video song has logged close to 12,000 views on YouTube. The vocals, khanjira and violin work in unison and stay balanced as the tones shift. The upright bass remains in step with the changing pitch through the song. It begins with a Konnakol recital done against guitar chords.
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Let’s do a deep dive into her work. ‘Merging Parallels’ is composed on the concept of ‘Adhara Shruti Bedha Ragamalika’, that is, simultaneous tonic and raga/scale shifts. It uses 18 tonic shifting ragas in ‘Khanda Chapu Thala’, throwing in mathematical verses ‘Jathi Prayogas’ and Sanskrit lyrics in Saramathi raga. It is said it is the first time that the Foundation has honoured Indian classical music. She has blended Western harmonies with Carnatic music to such an effect that it won her an honorary mention as a student music composer at the 70th BMI Foundation awards in New York in May.īMI Foundation is a non-profit founded by executives of Broadcast Music Incorporated to nurture the culture of music through awards, scholarships, and internships. It is composed by Apoorva Krishna, a 26-year-old violinist from Bengaluru. It’s raining fusion music everywhere and we can’t complain.